Kiosk is a project that explores a near future
scenario in which digital fabricators are so ubiquitous, that we
see them appear on street corners, just like fast food today is
sold in NY style mobile food stalls. A place where you can quickly
get a custom made fix for your broken shoe, materialise an illegal
download of Starck’s Juicy Salif orange squeezer, that you
modified for better performance or quickly print out a present for
your sisters birthday.
How does this scenario challenge our perception of authorship,
originality, design and what is the role of the designer when goods
are moved around in the form of digital blueprints and appropriated
in ways beyond our control?
Kiosk is a project
that explores a near future scenario in which digital fabricators
are so ubiquitous, that we see them appear on street corners, just
like fast food today is sold in NY style mobile food stalls. A
place where you can quickly get a custom made fix for your broken
shoe, materialise an illegal download of Starck’s Juicy Salif
orange squeezer, that you modified for better performance or
quickly print out a present for your sisters birthday.
How does this scenario challenge our perception of authorship,
originality, design and what is the role of the designer when goods
are moved around in the form of digital blueprints and appropriated
in ways beyond our control?
Kiosk 1.0 was commissioned for the
Salone del Mobile 2011 in
Milan and part of the exhibition
New Times, New Heroes,
organised by
Z33 - House of
contemporary art and
REcentre - centre for
sustainable design.
Leading up to the
Salone del Mobile, Unfold gathered
information from various designers and labels about how they
position themselves towards this scenario. During the
Salone del
Mobile, Unfold cycled around and three-dimensionally scanned
the new objects presented by these various designers. Based on the
acquired data new objects were created by sampling, remixing,
improving, up/downscaling or straight copying. These appropriations
were 3d-printed and displayed for sale on the spot.
Unfold created a brand new Kiosk 2.0 for the
exhibition
After the Bit
Rush, Design in a Post-Digital Age organized during the
Dutch Design Week 2011 at
MU Artspace in Eindhoven.
The Kiosk project was nominated for the
Designs of the
Year 2013 awards issued by Design Museum London. The
project sparked some
controversy by
presenting 3D-printed copies of three of the other finalists'
pieces. Even Tate Museum entered
the debate.
Kiosk 1.0 & 2.0 were produced with the kind support
of
Z33,
REcentre,
MU Eindhoven,
Bits from Bytes (BfB3000 3d printer),
4D Dynamics (PicoScan 3d
scanner),
Polhemus (FastSCAN 3d scanner),
Kai Parthy (Laywood filament), Jo Van Bostraeten (bicycle parts)
and
OpenStructures.
Inspired by Bruce Sterling’s science fiction story
Kiosk. In 2011 Bruce Sterling in turn wrote an
essay for Domus Magazine on
Unfold's Kiosk project and the cross-contamination between design
and science fiction.
Kiosk has been featured in, amongst others:
The Bauhaus
#itsalldesign at Bundeskunsthalle Bonn (DE);
Designs of
the Year at Design Museum London (UK);
Ceci n'est
pas une Copy at CID Grand Hornu (BE);
Adhocracy
at Istanbul Design Biennial (TN);
Henry van de Velde
Awards at Bozar Brussels (BE);
After the Bit Rush at
MU Eindhoven (NL) &
New Times, New Heroes, Milan
(IT).
fig. 01, 03, 08, 13: photography by Kristof Vrancken
other photography by Unfold