The Real Thing, by Tanya Harrod
The Real Thing by Tanya Harrod, is a collection
of essays on making that together provide a timely and
comprehensive reflection on its personalities, histories and
debates. Unfold is very honored that Tanya Harrod
chose
one of our
photographs (by
Kristof Vrancken) for
the cover of a book that represent 30 years of her writing.
About the book: "Over thirty years, Tanya Harrod has written on
craft for newspapers, magazines, and journals. As these essays
show, there are no boundaries in her vision: art is considered in
the light of craft, and craft in the light of art; design is
present too – developing and sometimes separating from craft
and art. In part these essays document the development of these
shifts, looking always at the particular, vivid embodiment. The
real thing is a surprising and substantial contribution to the
literature of ‘making’.
Tanya Harrod’s subjects range from the sculpture of Barbara
Hepworth to the poetic objects-in-landscape of Ian Hamilton Finlay,
from the science fiction of Philip K. Dick to the theories of
Richard Sennett, from Welsh quarry slates to the fine art of icing
cakes, from the ceramics of Pablo Picasso to the still lives of
Gwyn Hanssen Pigott."
Review at Graphic.net:
Reality
Check
The Real Thing by
Tanya Harrod, is a collection of essays on making that together
provide a timely and comprehensive reflection on its personalities,
histories and debates. Unfold is very honored that Tanya Harrod
chose
one of our
photographs (by
Kristof Vrancken) for
the cover of a book that represent 30 years of her writing.
About the book: "Over thirty years, Tanya Harrod has written on
craft for newspapers, magazines, and journals. As these essays
show, there are no boundaries in her vision: art is considered in
the light of craft, and craft in the light of art; design is
present too – developing and sometimes separating from craft
and art. In part these essays document the development of these
shifts, looking always at the particular, vivid embodiment. The
real thing is a surprising and substantial contribution to the
literature of ‘making’.
Tanya Harrod’s subjects range from the sculpture of Barbara
Hepworth to the poetic objects-in-landscape of Ian Hamilton Finlay,
from the science fiction of Philip K. Dick to the theories of
Richard Sennett, from Welsh quarry slates to the fine art of icing
cakes, from the ceramics of Pablo Picasso to the still lives of
Gwyn Hanssen Pigott."
Review at Graphic.net:
Reality
Check